The physical installation created an immersive environment where the projected videos surrounded visitors with visualisations of electromagnetic data flows. The space was designed so that visitors felt physically present within the data landscape they normally passed through unaware.

The installation context — Salone del Mobile, Milan's premier design event — meant the work needed to communicate immediately to a design-literate audience without explanatory text.

The video content used abstract visual language — flowing particles, interference patterns, signal waves — to evoke the sensation of data moving through space. The aesthetic was deliberately non-literal: the goal was to create a feeling of immersion in electromagnetic flux, not to illustrate specific technologies.

Each video sequence represented a different type of invisible data — cellular signals, broadcast waves, satellite communications — using distinct visual rhythms and densities to differentiate them without labelling.